theatre stages place ////\\\\ cinema projects time >>><<< cinematic time & theatrical place
Il était hostile aux amphitéâtres dont il disait qu’ils coupaient tout échange. from here
The Seagull, Downstage, 1980
– Gary Knuckey
on the art of undoing: knots, illustrated with some beautiful works by Julien Spianti
It must seem confusing. I’ve been advocating, advocating by the most simple means, the means of naming, which cannot these days be anything but an ironic take on branding, or on meme creation, undoing. But I’ve hashed undoing. I’ve hashed it by calling it by that tag,
Creative New Zealand under Stephen Wainwright finally succeeds in destroying Downstage after nearly 50 years trying
This is a picture of Stephen Wainwright, Chief Executive (Pou Whakahaere) of Creative New Zealand. Here is his statement:
“As a young nation at the bottom of the Pacific Ocean our arts help to illustrate our lives with new layers of meaning and fresh perspectives… life is personal and experiencing
to know how to undo something you must first know how it was put together: Shima on 95bfm, first broadcast 11 September 2013
an example of doing that is really an example of undoing – here, from the puff for an exhibition at WKV Stuttgart called ‘Giving Form to the Impatience of Liberty’ featuring the artists Manuela Beck, Banu Cennetoglu / Yasemin Özcan, Stefan Constantinescu,
The exhibition’s point of origin rests in the younger forms and discourses of a (re)politicization of the arts, which are meant to be probed in terms of their heterogeneity and antagonisms. These are artistic practices which subject the aesthetic utopias of modernism that were said to have floundered