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Simon Taylor

Simon Taylor

https://orcid.org/0009-0008-6687-4647

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The desire for greater visibility and the production of more and more is like a mirror that reflects only itself, in which we can see less and less. This has something to do with the infinite reproducibility of images promised by the digital revolution. And it also has something to

Bartabas & Ko Murobushi

Die Klage Der Kaiserin von Pina Bausch // Pina Bausch’s The Complaint of an Empress

“in my piece I don’t have any message, any story, any meaning” – Hiroaki Umeda’s first piece made in 2002 entitled While Going To A Condition – and the quotation is what he said about it

something stronger than history

a tidal wave – exhuman – of probes and experiments

“In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned the certainties underpinning the world of art music), and the invention of a revolutionary new form of memory, sound recording (which redefined and greatly empowered the world of

“Part of the theatre of the ITTC (International Tin and Tantalum Conference) is to never talk about shortages of supply so that the end users will feel there is no issue with designing in tantalum”

a link to an article from this time last year about the world’s number one conflict material