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I am outside light on a square white world

I am outside light on a square white world

(see @ outside light for information about this site.) ... squarewhiteworld, my weblog project, 2006 - 2025, hosted by kitt@version, is, thanks to the mighty concierging services of ghost (thanks, Nick), in the process of migrating here, ... Please hold tight during the interval. You can sponsor outside light by setting up

digest

introducing ① Enduring Dreams: a note on cinematic time (sections 1 - 9)

introducing ① Enduring Dreams: a note on cinematic time (sections 1 - 9)

Digest is currently serialising the work, Bergson, Deleuze & Cinema, from the first part, entitled "Enduring Dreams: a note on cinematic time". Sections 1-9 have appeared here so far, they are compiled as ① for recent subscribers to outside light to catch up with the story so far ... CINEMATIC

theory

Bergson, Deleuze & Cinema

Bergson, Deleuze & Cinema

COMING SOON! This post is a place-holder for a long work currently being digested, that is presented cut into bite-sized pieces in the digest section of this site. It is as yet lacking an introduction and two, maybe three, chapters to complete it. Please subscribe to outside light if you

theatre | . . . : first half in epistolary form

theatre | . . . : first half in epistolary form

TECHNOLOGY series (I-IV)

TECHNOLOGY series (I-IV)

3 essays 3 endings: art research | theatre writing

3 essays 3 endings: art research | theatre writing

journal

SQUAREWHITEWORLD HAS MOVED TO

OUTSIDE LIGHT AT OUTSIDELIGHT.ONLINE WITH NEW POWERS OF LEGIBILITY AND NEWSLETTERS TO KEEP YOU UP TO DATE

Slavoj Žižek & Mr. Kežiž

Slavoj Žižek & Mr. Kežiž

QLIPPHOTH

QLIPPHOTH

bookmarked (Ig, NY: 2017): things forgotten because at the time perfectly usual

bookmarked (Ig, NY: 2017): things forgotten because at the time perfectly usual

excerpting The Subplot, Megan Walsh’s report on China’s literature, 2022

2 excerpts, from books to return to 🅰 “I’m not that into theater” 🅱 “feverish selfishness, and shit.”

Octavio Paz ~ Duración | Duration ~ from Salamandra | Salamander (1958 – 1961)

poetry

moieties*

moieties*

*occasional pieces, close, and timely a small requiem for Beanie We are somewhere In the middle of nowhere Dreaming of arriving Under the century's Black sun A rock eye, an eye running with water We are somewhere The last eyes ever to see it Will be closing soon

A Piece of Fabric, Tell it to the birds & lying in long grass - for my parents

A Piece of Fabric, Tell it to the birds & lying in long grass - for my parents

enantiomorphosis: the messianic | Danaë, or resistance

enantiomorphosis: the messianic | Danaë, or resistance

a journey (2016)

a journey (2016)

fr. Sweetheart, over____ (2006)

fr. Sweetheart, over____ (2006)

the pieces of ... soap

the pieces of ... soap

not meaning anything

not meaning anything

otherwriting

moving image: theory | context: lecture 6

moving image: theory | context: lecture 6

I want to do two things here. I want to ask what drives narrative? And I want to bring in this idea of modulation. What is it? And what is it that it is our topic today? I have some idea. I have some idea that the two questions are

moving image: theory | context: lecture 5

moving image: theory | context: lecture 5

moving image: theory | context: lecture 4

moving image: theory | context: lecture 4

moving image: theory | context: lecture 3

moving image: theory | context: lecture 3

moving image: theory | context: lecture 2

moving image: theory | context: lecture 2

moving image: theory | context: lecture 1

moving image: theory | context: lecture 1

The Tilting Point – screenplay for a short film (2008)

The Tilting Point – screenplay for a short film (2008)