outside light on herri SIMON TAYLOR Cinema Signifies a Change in the Fundamental Structure of Reality ISSUE #013 - HERRI
Gilles Deleuze and the Third Schema of Perception: time, sense, idea trapped in crystals From Bergson's coexistence of the past with the present Deleuze produces a preexistent past. Or, cinema produces it for him, in that it lets him see the past stand out before the present. The question is, was it, so to speak, already there? Was it there for Deleuze
Here's a story of the story I'm writing, Come to Nothing ... not, Here's a story, of the story I'm writing, come to nothing; but, Here's a story of the story I'm writing, Come to Nothing. It's called Come to Nothing a phrase found in Stranger than Fiction, by Edwin Frank, excerpted
"Wow, that's probably the most truthful and elegant description of the process I've heard. If you write fiction ..." things from Conversations with Steve Erickson*
... "it's hardly clear what good any novel can do for the poor, displaced people now picking their way through ... rubble." E. Frank, Stranger than Fiction, 2024, p. 303
August 2026 how can such sheer physical beauty ββββββbe guarded , coupled with so crabbed and servile an existence , as to hunt in the rubbish dumps of all the world ββββfor what has been used up and most despoiled ββββββββfor cracked and injured minds, ββββto its own injuryββand the injury of its
A Delicious Event after Samanta Schweblin The idea began as a recipe and became a recipe for writing a short fiction. Credit goes to Carmela Padua for the idea, which I connected to an interview with Samanta Schweblin in Bomb magazine. (Issue 173 / Fall 2025, pp. 40β47; online) In the interview she