Simon Taylor

The cliché, its politics, overcoming the cliché – towards the time-image: towards a working method: “On the one hand, the image constantly sinks to the state of cliché: because it is introduced into sensory-motor linkages, because it itself organizes or induces these linkages, because we never perceive everything that is in

“Oblique Strategies evolved from me being in a number of working situations when the panic of the situation—particularly in studios—tended to make me quickly forget that there were other ways of working and that there were tangential ways of attacking problems that were in many senses more interesting

I believe in my listeners – Gu Cheng As the amphitheatre As the fog You have to Theatres are boxes Like a box Revisiting a work As it stands The production’s title As Miles Davis Needles and Opium’s Needles and Opium – from a review submitted by Mark Amery on

a review of Frederik de Wilde’s work that I like a lot and which I like a lot. Let’s read it together. oh, now I discover it’s actually an interview with Frederik de Wilde. Even better. I’m up to this bit: “Most valuable is bringing together

I’m a sorrowful child, never grown up. From the grassy north shore I followed a bright white road into a city full of gears, narrow alleys, wooden shacks, each lowly heart. In a bland haze of smoke I keep telling green stories. I believe in my listeners – the sky,

waging theatre on class symptoms where class symptoms now invoke the redistribution of wealth from the middle to the top which has become capitalism’s only recourse in finding an inner limit now that the outer limit of resource exploitation has been surpassed. taking theatre out of the class war