Marx and the real disparity between fictitious capital and capital in circulation, including financial derivatives,
– David Harvey, “Commonwealth: An Exchange” in Artforum, a discussion of Michael Hardt and Antonio Negri’s Commonwealth
Simon Taylor
capital: essential listening
driving the beach from the particular to the general
on the edge of something great Gibbs Farm
And the Morgen club arrived, before the Mustang club, to Gibbs Farm – that’s right, no apostrophe – no punctuation – I’m overdoing it.
The brochure we were handed at the gate on entry before 10 am – the designated time – after which, warning-wise – the gates shut – reads:
“When Alan Gibbs bought
from a conversation with Jeremy Hutchison, which, if you follow the link, and I recommend you do, describes a work that handles human error – on the part of factory workers requested to deliberately fuck up – in a really compelling way. What I like best i
what does a white middle-class English boy do in a conflict zone? He rides into concrete walls, drives around roundabouts, buys milk from shops that aren’t selling it. Somewhere in the noise and confusion, I realised a few things. That it’s essential to remain impartial – but impossible to
via we make money not art
75 Watt – trailer from COHEN VAN BALEN on Vimeo.