Simon Taylor
ἀλήθεια &: or, why Deleuze gave up depths in favour of transversality or a big tablecloth; or once we admit all possible worlds we find compassion for things we’ll never know
and then we had it out. We argued and cried our way through our conflict, which feels resolved for now, thank god.
…
‘Having it out’ recalls ‘going together,’ a phrase Samuel Weber calls attention to in connection with Heideggerian disuncovering or unconcealing, at random, herewith: “In its constitutive ambivalence, Heidegger’
Deleuze his words in my hand
Two Strangers look on
– the Theory of Perversion (and the work of perverting must go on)
Disaffection I & II (a message, not!) from the Lives of the Saints series
Kate Sheppard lives as a man
– graffito, Condom Alley, Auckland, 9/3/9
Rabkin quotes Fish: theatre text, textuality and representation
Gerald Rabkin’s 1985 essay, “Is there a Text on This Stage? Theatre, authorship, interpretation,” opens with an epigraph from Beckett: [in Re:direction, op. cit., pp. 319-331]
The best possible play is one in which there are no actors, only text. I’m trying to find a way to