notes on Dorothea Olkowski’s Gilles Deleuze and the Ruin of Representation, the section entitled, “The Theatre of Terror:” preparing for a theatre group called T-Cell
The breast-feeding child, in Melanie Klein’s ‘theatre of terror’ (as Gilles Deleuze calls it, with relish), sets up a literal feedback loop with the mother. Rending the maternal body into fragments, the suckling infant consumes and introjects these morsels, investing them with an infantile but, for that, nonetheless sadistic