Simon Taylor

Proceed by sense alone. What work? Think! Think! in the work I’ve done, the objects have been part-objects, even when dealing with characters, Brecht, for example in Simplicity [page below], have been unsatisfying – insufficient to the sensed imperceptible, in the end lying just outside, husks and shells: husk

the clearing is necessarily dark, obscure -?a black round. Its?reality attested to by the squareness and whiteness of the represented world, after the law of contraries. Crossing it is neither a movement of colonisation, of opening it up to traffic, of smuggling into it signs of property or propriety,

from the labyrinth beyond time and space we�find our way�into a clearing – adapted from Marcel Duchamp