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Simon Taylor

Simon Taylor

https://orcid.org/0009-0008-6687-4647

18 June 2019: Chiyoda Arts Centre – National Noh Theatre – Yoyogi

Koichiro Kokubun asks, Does schizophrenia remain the key concept in understanding Deleuze and Guattari? Psychosis was not sufficiently analyzed becauseinaccessible to psychoanalysis. In oppressive excess—neurosis ensues. Kokubun-san makes three “completely indefensible” hypotheses: 1) the 19thcentury is neurosis; 2) the 20thcentury is schizophrenia; 3 the 21stcentury is autism. As in

GLOBAL SOCIALIST REVOLUTION

1. End use–including production, manufacture and distribution of refrigerants. 2. End use–including extraction, mining, refinement and distribution–of carbon-based fuels for energy production. 3. Devolution to local level (500 persons) of care, housing, clothing, food and water, for most vulnerable. principle 1. is first priority because refrigerants are

17 June 2019: 3331 Arts Chiyoda Deleuze|Guattari Camp 2019 Tokyo

Director and coordinator of Deleuze|Guattari Studies Asia 7thInternational Conference 2019, Koichiro Kokubun, introduced Ian Buchanan as the ‘Boss’ of Deleuze Studies and born in the AUS he sang. In this first lecture there were some promising initial moves but these quickly gave way to justification through application of concepts

16.6.2019 Shibuya – Yoyogi, Yoyogi – Akasaka & back

And the sun shone. Setting out at 9 into the Shibuya sunshine I walked from that place down the hill into a zone of great Sunday migrations, on observing their patterns, this day being the day of meetups and malltimes. And I found myself at the famous crossroads; because I

15 June 2019 – Waiheke to Shibuya

I am looking out up at one of the towers of Shibuya. The tatami is fresh and green. It’s about a 6 tatami room—about because it’s cut on a diagonal at one corner, this room in a 120 year-old ryokhan. The doors are low onto the corridor

[j] mon

what is theatre?

I liked Hofesh Shechter’s Grand Finale. I liked, but not so much, Ulster American, by playwright David Ireland, presented by the Traverse Theatre Company, est. 1963. A part of the few thoughts I have now the energy to jot down concerns the institutional setting, including the timer setting of