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③ Enduring Dreams: a note on cinematic time

③ Enduring Dreams: a note on cinematic time

AFTER NATURALISATION: CINEMATIC TIME AS RULING METAPHOR How to get around this? how to get around the cinematograph perfectly representing a continuous motion? It’s possible to point out the paradox, no next one, always a next, or to translate Zeno’s paradoxes for the moving image, and peg time

② Enduring Dreams: a note on cinematic time

② Enduring Dreams: a note on cinematic time

THE COMPACT CONTINUITY OF CONTINUOUS MOTION Russell would not answer a paradox with a paradox. Even if he didn’t have a good understanding of the mechanism of film, of its composition frame by frame and its potential decomposition into frames or into scenes, he would not. It’s all

introducing ① Enduring Dreams: a note on cinematic time (sections 1 - 9)

introducing ① Enduring Dreams: a note on cinematic time (sections 1 - 9)

Digest is currently serialising the work, Bergson, Deleuze & Cinema, from the first part, entitled "Enduring Dreams: a note on cinematic time". Sections 1-9 have appeared here so far, they are compiled as ① for recent subscribers to outside light to catch up with the story so far ... CINEMATIC