“In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned the certainties underpinning the world of art music), and the invention of a revolutionary new form of memory, sound recording (which redefined and greatly empowered the world of

a link to an article from this time last year about the world’s number one conflict material

The cliché, its politics, overcoming the cliché – towards the time-image: towards a working method: “On the one hand, the image constantly sinks to the state of cliché: because it is introduced into sensory-motor linkages, because it itself organizes or induces these linkages, because we never perceive everything that is in

“Oblique Strategies evolved from me being in a number of working situations when the panic of the situation—particularly in studios—tended to make me quickly forget that there were other ways of working and that there were tangential ways of attacking problems that were in many senses more interesting

I believe in my listeners – Gu Cheng As the amphitheatre As the fog You have to Theatres are boxes Like a box Revisiting a work As it stands The production’s title As Miles Davis Needles and Opium’s Needles and Opium – from a review submitted by Mark Amery on