after watching Stewart Lee’s Carpet Remnant World, I opened my Inbox, delighted to find “My Review” and news of the 55th Universal Display – (only the names have been changed to protect the individuals living and dead)

Hugo Shrimpton-Smith’s latest photo book, Shot By Shrimpton-Smith, is a gem on several levels.  The book is packed with full-page shots showing that Shrimpton-Smith, still true to his roots as a pioneer of transgressive cinema, has developed well beyond them.  The images work technically as photos, physically as soft-core
Simon Taylor