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the history of the temperature of new zealand music & surroundings

Simon Taylor 23 Oct 2012

“Let’s Take The Road” by Glass Owls, video directed by Dominic and Simon Taylor

Simon Taylor 23 Oct 2012

M I S S I N G

God is dead Man is dead the Other is dead but they leave us with responsibilities   like faces withdrawing to the edge of living yet not quite disappearing ever watchful BEASTS………………………………………………….or pure bestiality which is to say machines machines participate in me.
Simon Taylor 18 Oct 2012

speaking to the machinic value of online sociality: Alexis Madrigal in the Atlantic

his conclusion: the tradeoffs we make on social networks is not the one that we’re told we’re making. We’re not giving our personal data in exchange for the ability to share links with friends. Massive numbers of people — a larger set than exists on any social network
Simon Taylor 16 Oct 2012

~David Cecchetto~ on Ted Hiebert’s _In Praise of Nonsense: Aesthetics, Uncertainty, and Postmodern Identity_

Hiebert argues that the postmodern self is technologized along a combination of three vectors. The first of these are technologies of disappearance, which Hiebert describes as “intellectual and psychological devices that one can use to construct a plausible picture of not-being, progressively writing out the residual elements of self
Simon Taylor 16 Oct 2012

Glass Owls …

Simon Taylor 15 Oct 2012

witness to the standardisation of…

human production but also sufficiently self-conscious – which means having memories of a time before Facebook – and therefore dealing with only a couple of levels of ironic abstraction – to be bear witness and buy in to that standardisation in market membership, grups… here perhaps grups are a market segment Little
Simon Taylor 13 Oct 2012

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