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Giovanni Carandente’s Balthus is buried by art history and art critics reliant on antecedents, sources of inspiration and comparison, and negligent of internal motivation, artistic necessity and the invention of the artist

– Sir John Tenniel the Piero-Della-Francesca-type dwarf who pulls back the curtains in The Room of 1954 (…) appears almost as a caricature of Tenniel’s Alice in the first chapter of her adventures (‘Down the Rabbit Hole’) where she draws aside the curtain and discovers the little door leading to the
Simon Taylor 26 Mar 2010

I hernia in public convenience

Strange. – Am I living or am I buried here? – under the weight of work and pieces that have been consigned here for failing to come to life, have or get or find a life in life, in mine, where anything might have happened, which, anyway, would have been better than
Simon Taylor 21 Mar 2010

hunter class, Kumeu. Also in attendance, the Rt. Hon. John Key – a charisma-free zone, as it happens.

Simon Taylor 18 Mar 2010

clouds, the lives of, including Lines 1 and 2, Aerials, Descent and Red Sky, Blue Bleed

Simon Taylor 18 Mar 2010

inside inside, outside outside, the inbreath and the outbreath from the series The Life of St. Rutland

Simon Taylor 17 Mar 2010

victim detail (head) – Balthus – from the series Profane Icons

Simon Taylor 15 Mar 2010

ऋतु from the series Profane Icons

Simon Taylor 13 Mar 2010

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