It is still flattering to be misquoted, but when it is an answer to a question, and when it is the questioner who misquotes, one ought to be forgiven for thinking that the question was less leading than that the answer was altogether beside the point. ‘Simon Taylor’ does not

…which is further to say that such momentum as performance picks up from critical theory is fixed at the subrepresentational stage of performance itself, theatre always being first and foremost its own best diagnostician. (This is why bad theatre really tells you how bad things can get, that they can

…the unleashing of all manner of miniature egos across the various divides, figuring large, the subject/object divide, the slippages of shifters, signifiers, I’s and You’s, and ‘its;’ the latter in place as if placed there, staged, as contemplative souls of the matters in hand, passing hand to

– Condom Alley, 13.8.09

With an autonomy of its own, performance spreads by deconstruction not only from theatre to other disciplines but across the binaries of art and life, picking up momentum from critical theory – obsessed as it is with the “overflows, leaks, shifts, slips” and eroticised staging of dispersion itself, which cancels aesthetic