64 years ago, a person who sat on the step evaporated, only leaving the shadow
– image from here, inverted in time
two magazines, Are you barsexual? from the Landmarks of Auckland series
invitation to a hanging, from the new and recent works series
coming soon, from the new and recent works series
The Danger of the thesis (see preceding post) and a Complication
Surgery will be necessary to prove the thesis that Deleuze’s ‘Un manifeste de moins’ is actually about Alain Badiou. We will have to conduct a transplant, surgically removing Deleuze from theatre and then reconnecting Badiou to theatre, that is, removing Deleuze’s philosophical apparatus from its dependence on theatre
An indefensible thesis, illustrated by the Sausage Queen, flipped for obvious reasons, among other more and less connected images
The thesis of my proposed dissertation is that Gilles Deleuze’s only extended writing on theatre is about Alain Badiou.
‘Un manifeste de moins,’ in a sense sums up Badiou’s entire philosophical ontological project: because the Deleuze text does not have as its referent the theatre of philosophy with