that Max Richter says, plus the beginning of a third, in the liner notes for The Blue Notebooks, last first, since it considers the music: “I come from a high-modernist classical music training, … where maximum complexity, extreme dissonance, asymmetry and impenetrability were badges of honour. If you wrote a single

This poem departs from the idea which is not my own that all that we think of as objective knowledge is subjective knowledge. I suppose I can call it a poem, I am introducing poems that don’t exist. It doesn’t exist, this poem. When we think of the

This is a poem called ‘a nice friendly chat,’ or: ‘the familiar bathos at the unfamiliar time, at bath time.’ Or: ‘as I look out upon the devastation we have caused, I can’t help thinking, I should write about this.’ or, have you noticed when ... poets begin to read