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The House of Cadmus: a further synopsis of Semele/Thyone’s story

Semele is beautiful. God falls in love with her. Even her own brother is in love with her. However, he can’t compete with God. Polydoros’s jealousy, not detailed here, is a potential subplot, a license taken with a familiar story. No matter that it is incestuous, it is
Simon Taylor 10 Jul 2008

being is the bomb — . art tech in other words —. tour de golgotha —.

– Marcel Duchamp’s drawing, the only one in the accompanying notes for the Large Glass, in Box of 1914, entitled To Have the Apprentice in the Sun, on musical manuscript, and duly signed, Marcel Duchamp, 1914 Anarchy is the bomb, or the comprehension of technology. Jarry puts forward a curious
Simon Taylor 08 Jul 2008

Неоконченная пьеса для механического пианино (1976)

Thank you Michael Pennington for recommending Unfinished Piece for Mechanical Piano as the “best Chekhov you could hope to see [on film], though it is not by Chekhov at all.” [Are You There, Crocodile: Inventing Chekhov, op. cit., pp. 80-1] Режиссер: Никита Михалков В ролях: Александр Калягин, Елена Соловей,
Simon Taylor 08 Jul 2008

laying the situation bare and leaving judgement up to us is not enough

Perm (or Пермь) is 700 miles from Moscow. – Пермь [фото царской России] – Андрей Петров Калганов, его сын и его внучка. [фото царской России] take hold of what’s left of your life and save it… – Chekhov, quoted in Michael Pennington’s, Are You There, Crocodile?, p. 165 When in doubt,
Simon Taylor 04 Jul 2008

refining crack: the process

It would be disingenuous of me to say that the problem, Is theatre an artform? is being presented without prejudice. I’ve already made up my mind. Now where should I look for support? and how prove it? Perhaps it’s better to ask: Is theatre not an artform? – Robert
Simon Taylor 04 Jul 2008

to self: STOP STOPPING! (a note about a dramatic act)

note to self: remember that each act demands (or deserves) a different approach, a different mood, which is in the characters, as much as the characters are in it; each act is a whole play, in part. And each act feels its own sufficiency. And then is subsumed to a
Simon Taylor 03 Jul 2008

ТЕАТР НА ТАГАНКЕ (cf. the Wyly theatre)

– Gorky & Chekhov in Yalta [Chekhov] warned the younger writer [Gorky] against ‘rapture,’ reminding him that grace depends on expending the least possible movement on an action … – Michael Pilkington, Are You There, Crocodile? Inventing Anton Chekhov, Oberon Books, London, 2003, pp. 92-3 – the theatre on Taganka Square, in Moscow,
Simon Taylor 02 Jul 2008

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