puppets to a higher power, we are the dead, driving in our cars (after Virilio, & further, albeit tangentially, rather than illustratively, to the previous post: the endless and erotic fascination of the endlessly posable crash test cadaver or dummy; cras

we now know how much it takes to injure every major bone and organ in the body … if humans are packaged carefully they can withstand even severe smashes … The work began in the late 1950s, at Wayne State University in Detroit. The first part of the body to be studied
Simon Taylor

national point size & the balls to use it, or living with prolepsis, or how I was pistaken, before & after: pretentious notes on Tristan O’Shannessy’s Kindling, poster art, presently a work in progress

Kindling sounds childish, as if it were the diminutive form of a kind, a pet-name for a unique kind, not German at all. And nothing to do with fardels or faggots. In Kindling, an exhibition of graphic works, it is this sense of the graphic and graphic sense which comes
Simon Taylor