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eph-use eph-art

– Jayne Hinds Bidaut (American b. 1965), Tadarida Brasiliensis (Mexican Freetail Bat), tintype, 14 x 11 one must fight by fair means or foul for the opportunity to do one’s best. There is no satisfaction in anything less. – Ralph Steiner (1899-1986)
Simon Taylor 26 Feb 2008

ultima dea: the opportunity to support a production of study for a passion remains

We invoke Spes, the last goddess. You are the angels. Money from ticket sales to study for a passion feeds actors. We are not Hungerkuenstler.
Simon Taylor 23 Feb 2008

THE SHOW CAN’T GO ON WITHOUT AN ANGEL

Offers of financial assistance are urgently sought to mount study for a passion. If you can help, please contact me here. Alternatively, donations may be made via paypal or paymex. Use the button-images on the appropriate pages at the top of the list opposite. study for a passion a
Simon Taylor 22 Feb 2008

the soul of brevity is a want of wit; if you can dance it, why talk about it?

two-pronged corn forks with red handles. Why not? The Royal New Zealand ballet in their new stiff tutus. If you haven’t seen ballet for a while, it can seem an absurd artform, a ridiculous discipline. The ballerinas bisected by these tulle discs, the bottoms moving without the tops,
Simon Taylor 17 Feb 2008

the big little taylor as a very annoying theatre worker with a tail: don’t get beastist on me but tappin’ as I am here on this sack with my fist is highly questionable despite the knowingness of the big smirk on my little mug; perhaps I’m a council worker

Simon Taylor 15 Feb 2008

AUCKLAND is premy – or une queue lost in the telling – number 1

http://www.thebiglittlecity.co.nz go on. have a look. I dare you, the big little other. the big little majority and the big little minority. they’re all behind the big little lie. Of course it makes one think of Big Chief Little Feather. It makes one think of
Simon Taylor 15 Feb 2008

fx untwinned in their affects

Fx should be a by-product of what you do not your reason for doing it, fx like realism, surrealism, pomo-ism, all the -isms. Consider Steve Reich’s Violin Phase. Reich extracts the effect, phasing, isolates it, inside a minimal repetitive structure, and anatomatises it, by making the music
Simon Taylor 15 Feb 2008

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