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what? these theatres of shadow have no backstage?

is the status of consciousness purely epiphenomenal from the causal standpoint or does it display a causality of its own? It would be interesting to confront Deleuze with these naive questions: is the level of Sense-Event just a sterile effect, a theatre of shadows? Does it somehow affect the level
Simon Taylor 17 Feb 2007

cul-de-sac

“This [lack of recognition in the New Zealand arts curriculum of pakeha arts as localised and acculturated] is regrettable but hardly surprising and it is actually quite serious. The lack of a fundamental pakeha groundedness in pakeha identity, history and culture is a far greater problem for the shaping of
Simon Taylor 15 Feb 2007

freedom is time travel

Each writer creates his precursors. His work modifies our conception of the past, as it will modify the future. – Jorge Luis Borges
Simon Taylor 11 Feb 2007

speech grille or language grater or pipe?

for Badiou as for Heidegger, poetry is the experience/articulation of the limits of the potency of language, of the limits of what we can force through and with language. – Slavoj Zizek (OwB, p. 107)
Simon Taylor 11 Feb 2007

sodomy and the stone

Part way through Economy of the Unlost, Anne Carson imagines a Greek flaneur rusticating in the fifth century B.C. who stops to read an epitaph carved in stone, a “talking stone.” Since lapidary inscriptions of the period generally left no spaces between words, the passerby, both for the practical
Simon Taylor 11 Feb 2007

sema

Simon Taylor 08 Feb 2007

dramatis personae for an island narrative: pornography of the human condition 1

Who would they be these characters asked for in the post below, an island narrative, if not exactly those projections who are not projections of ourselves? as Robert David MacDonald has Diaghilev say in Chinchilla, Seen as they should be seen, under arc-lamps; objects of a desire they master out
Simon Taylor 06 Feb 2007

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