thirty-first part, called “the subject XXXI,” of a series of ‘letters’ written to you, the reader, towards a book called, theatre | writing
the subject
That a beginning actor brings to the stage something of which she feels she is about to be dispossessed is why the notion of sacrifice, that runs through Blau’s reports, manifestos and theoretical writing on theatre, still holds true. Where a selfish actor remains intact, identifying the