l’imagination au pouvoir: the theory of modern art & the crucial “Giorgione effect” according to Enrique Vila-Matas
When back in May ’78 I was able to interview Salvador Dalí in his Cadaqués house, the painter kept going on about a Venetian painting: “A while ago, just before you arrived, I was looking again at Giorgione’s Tempest. There is a soldier, and a naked woman holding a
uncanny valley
Port St. Willow
because after this Enrique Vila-Matas writes…
…during these minutes I was able to think things over and put an end to any further queistions I might still ask myself about the possible, or impossible, relationship between innovative art and a bottle of perfume belonging to a Nazi woman, about the possible relationship between innovative art and
MINUS Theatre at International Applied Theatre Symposium: The Performance of Hope
Simon Taylor
& Minus Theatre
A workshop in thief (theatre of
imitation, expression & f___ery)
The work of Minus Theatre is unique in its openness to the use in
performance of different first languages (in Boneseed, February
2015, Brazilian Portuguese, Cantonese and English were spoken
together on-stage) and for
enjoying power, powerlessness, and may extinction come hereafter … after a while at least, give us at least time to have a bit of a think about it first
Power, Powerless- ness, Thin- king, and F- uture by Bernard Stiegler