Simon Taylor & Minus Theatre A workshop in thief (theatre of imitation, expression & f___ery) The work of Minus Theatre is unique in its openness to the use in performance of different first languages (in Boneseed, February 2015, Brazilian Portuguese, Cantonese and English were spoken together on-stage) and

Power, Powerless- ness, Thin- king, and F- uture by Bernard Stiegler

“I’d been fascinated at the beginning of the seventies by some questions that had been put to Alain Robbe-Grillet, which made him writhe against theories like an upside-down cat: “Let’s say I’m old-fashioned. For me, all that counts are the works of art.” “The

– Epiphany (Adoration of the Magi), 1996

HERE