the market is small so you’ve got to work that much harder to make sure you capture their attention and keep it all the way up to the check-out and sometimes you find yourself doing things that go right against the grain but at the end of the day we make

* writing on Cabaret I find its antecedent stage-play, written by John Van Druten, award winner, 1952/53, where it adapted and dramatised Christopher Isherwood's Goodbye to Berlin, in turn adapted into a film bearing the same title as the play, I Am a Camera, screenplay by John Collier

may sound more like "boolyfaood wooorild" but is a transliteration of Boulevard World. . . I was tempted to go into the pyramids and either shoot things if not quite understanding what. Then, isn't that always the way? . . . also of note, a demonic personage and a huge banana!

disembarking the blue line at the station designated and dedicated to the National Library I circumnavigated the building looking for an opening, a revolving door, a be-thobed figure approached, and, on the strength of Jo's experience of being asked for academic credentials to become a library member, I