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Minus workshop 9: speech as movement | language as perception
as I wrote in Minus Theatre workshop 8 this is to be a short report. Schematic even. Drawn from notes I have brought with me to Riyadh.
* movement for primitive organisms, cilia and flagella, rolling, swimming—
—is perception: single-celled organisms move in the outside world with the same parts as
Minus workshop 8, part 1: speaking, dialogue or not, sarx, pneuma and psyche; & part 2, the elizabethan play
* dialogue progresses the action. At least in conventional theatre it does; and I am starting with dialogue because dialogue usually covers speaking, where there is more than one of them, roles in theatre.
* there are two types of action: conscious and unconscious. It would be a mistake to consider the
Minus workshop 7, part 2: gesture, with some notes on the transindividual, sarx, pneuma & logos
Ricky, Nick, Chen, Chenby, Mike, Alex, Rachel, through Ricky's recommendation, Ann, Kwan and Yuka from about 4.30: I talked too much but explained the notion of gesture, its double constraint, the one I impose by asking you to put the actor's gesture who leads the