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the comprehension gap: why we don’t know what to say about the election – or what to do about the climate

…the wind is strong again today and gusty and blowing in from the West. Why mention the wind? because the climate is fucked-up-edly weird. I was sorely tempted to vote for the Climate Change candidate on Election Day. Everyone we know is running around saying not only is the climate

from Long Long at Factory 32

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question

what do we want to care about?

“That Yasusada’s “false” presentation proved to disturb and scandalize a small corner of our culture at century’s end is, it seems to me, perfectly appropriate and precisely to the point of the work’s force and meaning. After all, is the matter of nuclear

a brilliant interview with Kent Johnson conducted by John Bradley the background here quote: “even, when there are signs in red-ink all over the window that say “what you see through this window is not real,” the viewer ignores the signs, and looks on uncritically, enthralled. So the question arises

textured passages exhibition 9-12 Sept. 2014 image 1

TEXTURED PASSAGES at ST PAUL St Gallery Three, 8-12 September 2014

textured passages features work by Jo Larkin, Simon Taylor, with the addition of Shima and the intrication of Minus Theatre. The passages are held together by a shared love of texture, the imbricated textures of individual lives, the texture of events in time, the texture of history and chance, of

towards positive outcomes in the cultural sphere, in cultural and artistic institutions, including educational institutions where ‘art’ and cultural production are taught

Let’s be frank with each other, in the cultural food chain, “direct producers” have become completely irrelevant. What’s important is that cultural stuff happens, and that it is managed: Publishers are important, not writers; galleries and curators are important, not artists; literary festivals are important (events that prove