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contre temps: entente

– Duane Michals, Balthus and Setsuko , 2000 Balthus could manage to get everyone else in trouble while keeping only himself above the fray, and he delighted in doing so. – Nicholas Fox Weber, Balthus: A Biography , Alfred A. Knopf, New York, 1999, p. 5 Balthus’s paintings had made it clear that

Uno et Deleuze

It was Uno who pointed out that the ground for the Japanese reception of Deleuze was laid by the Bergson scholar Hideo Kobayashi. – Gary Genosko ed., Deleuze and Guattari: Critical Assessments of Leading Philosophers , Routledge, London, 2001, p. 9 – Tatsumi Hijikata, Gibasan , 1972 3. “Lettre à Uno sur le langage”

Tablet, writings of St. Rutland of Rutland St.

stop screaming: ideas are the voids of the body … penetrating connexions – self-serving excerpts from Stephen Barber’s The Screaming Body

– Artaud, Portrait de Paule Thévenin, dit ‘ Paule aux ferrets ,’ 24 May, 1947 Paule Thévenin [Artaud’s friend and literary executor]described to me the process of being drawn by Artaud as that of “being skinned alive.” … Artaud … standing up before a table … would scream, hum and invent new vocabularies … The

Global Pussy, writings of St. Rutland of Rutland St.

– with a big thank you to all who collaborated on this project, ‘for the beauty of our weapons’: You know who you are!

Thank you for your support from the Live Like A Saint series

zombie surgery, or septic theatre, profound superficiality: paulo-post-futurism, from the good words series

It is a mistake to think of representation as superficial and of representationality as dwelling on the surfaces of things, while the depths with disuse go septic. So it is a mistake to view pathologies as bubbling up from the underneath, bursting through, worming their way up like the evil