journal
time without nerves, or – unfound particles, anorganic metabolism, unpeopled parks: an exchange of letters, pt. 3
– Balthus,
La Victime
, 1939-1946
No. That’s not it. That’s not what I meant to say at all. I meant to say that despite the commercial interests circumscribing online interaction in Web 2.0, at the level of socalled social networking, and to a certain extent because of it,
to theatre as metabolism: an exchange of letters pt. 2
In the previous post I was discussing absences, the reader’s or spectator’s, who missed the revolution in the streets below his or her window, the theatre’s, my father’s, and mine. I was suggesting that the exchange of one begging letter for another at the top of
The Bag Left Unattended on the Roofgarden from the Perseverance of Stains series
The parasites are still here: notes on an exchange of letters, pt. 1
Here is a strange troubling and personal statement in which everything is revealed and nothing is said. I love actors like my father did. I just don’t believe they should be put in charge of theatres.
– from notebooks
To satisfy ignorance is to put off writing until tomorrow.
– Gilles
A Performance in Openness (In Three Parts) by Dudley Benson: A fifteen minute performance in response to Rita Angus: Life & Vision Sunday 1st November, 3 pm Art Lounge Corner Lorne & Khartoum Free admission, limited seating
Dudley Benson’s
A Performance in Openness
took place on Sunday 1st November at Art Lounge. The venue has been annexed by the New Art Gallery. It was previously the Paramount (1999 Metro Restaurant of the Year under Paul Jobin) and the room remains much the same: the bar’s
apropos of a study for a dressing …
– Anne Carson, by Terry Byrnes, from here And as per the title, Anne Carson under false sail can be read by clicking the photo of her.