journal

Revisiting Chekhov, after 20 years’ neglect, with Michael Pennington, who is passionate about his subject, & talks of revisiting the playwright after his own period of neglect. Then, what’s a year to a grand passion? What’s a hundred? Seven hundred?

– Three Sisters at the Moscow Art Theatre Chekhov is also bringing from his journalism a sharp eye for the obsessive, for the ludicrous ease with which we ignore other people’s needs. This is a farce technique, but now used for something a farceur hardly aspires to: a hymn to
Simon Taylor

Poe, Baudelaire, Rops, erotic idolatory & satanic idleness; Jarry’s & Maeterlinck’s redefinition of theatrical space: of puppets & porn

The title Tales of the Grotesque and Arabesque (translated into French as Histoires extraordinaires) combines two terms taken from the vocabulary of the decorative arts, erecting an aesthetic system on the opposition between fantastic caricature and nonfigurative ornament, between the deformation of the body and the pure abstraction of line,
Simon Taylor