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anamnesis in the sambadrome

Paulo Barras, Viradouro’s creative director, justifies the float depicting the Holocaust proposed for this year’s Carnival in Rio, saying that in many European countries neo-Nazism is on the rise. The float, an “extremely serious” and “very respectful” work, according to Mr. Barras, is intended as a timely reminder.

Dr. K. presents a talk at City Art Rooms, part 1

– drawing by Franz Kafka One theme suggested for the installation that goes with study is the wall with the door that becomes a curtain which becomes a screen so that there is really no way out and yet the image is one of leaving. You might say you have to

STUDY FOR A PASSION working script for City Art Rooms, 18 March – 29 March 2008

no mind

A man who can’t be persuaded is a frightened man. – Albert Camus

eumenides or Trio of Chaoids ???

– Francis Bacon, Tryptych 1944-1988

putting oneself on the line and at risk writing, thinking, &, having spread the tablecloth, standing up on it

Deleuze’s work on literature … has nothing to do with textual criticism or commentary, deconstructive or otherwise, since what matters is only what can be created, experimented or lived through the text, on the assumption that ‘a text is nothing but a cog in a larger extra-textual practice’ (DI [Desert

then Gilles Deleuze gave up depths in favour of a sort of transversality and big tablecloth

The sharks remain as silent as a woman who’s trying to hide her thoughts in order to spare your feelings. – Carlos Eire, Waiting for Snow in Havana, p. 312