2 K. statues and a shot of eggs
– photographs by James Van Dellen, www.futuregringo.com – Francis Bacon, c. 1952
journal
if it’s moving at sufficient speed, a sheet of paper can cut down a mighty oak tree, which explanation, Marvel, I think it was, offered for the Flash’s ability to use his hands as blades to cut through solid objects (Paul Virilio would approve)
[How] even to touch the greatest task … if you cannot collect yourself in such a way that, when the decisive moment comes, you hold the totality of yourself collected in your hand like a stone to be thrown, a knife for the kill?
– Franz Kafka quoted by Nicholas Murray in
meanwhile, and conversely, to appropriate the actual theatre to a virtual industry is not the answer
Recovery [of the real] proceeds through the dissolution of the psychoanalytic theatre of interpretation (the theatre in which desire is staged or ‘represented’ … at a distance from itself) … Recovery [of the real] involves dismantling the theatrical representation of desire in terms of restricted family roles and metaphors and the restoration
Merry Christmas
– painting by Attila Richard Lukacs found at www.dianefarrisgallery.com see page “FOUND materials” opposite for the document the path with heart by Alejandro Iglesias Rossi, a Christmas present.
further inscrutable advertising
– this in, however exclusive in is.
a second post’s look at a previous erratum
more a “procedure” – as painstaking, literally, as any surgical procedure – to produce a Body without Organs – comprising habits, traits, potentials hidden in the actual body, i.e. a virtual body – and manufacture desire continuously. Less the “exorcising” of anguish to indulge one’s taste for masochistic pleasures. I have it
big white pants
you will never catch a flux all on its own – Gilles Deleuze & Claire Parnet, Dialogues II, p. 91 the great ruptures, the great oppositions, are always negotiable; but not the little crack – Ibid., p. 99