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nothing in general: reviewing a comment on the previous post

Generality is not the problem. Generality itself is the plane of immanence, of unspecified, all-pervasive significance out of which the actor never reverses. – Uri Khein, “Consciousness is the Stage,” part 1, (c) 2007 If generality is not the problem, how does it constitute the immanent field of significance out

towards day 16 @ sf: the dancer’s role in RJF project, pt. 1

So. If in each section or piece, Ida has an ideal object, which is the picture carried in the mind, and she rehearses the steps to reach it and from these steps come phrases of movement; the phrases either head off into unknown territory or already suggest the ideal object

the other is annihilated, the object is hopeless and the subject in his presence is erect: cherchez la femme. Douglas Glover’s Elle.

– www.mexartes-berlin.de/deu/film/arsenal.html Reminds one of Cabeza de Vaca (1991, Nicolás Echevarría, dir.). Shamanism meets European rationalism. something warm washes through me like a tide of blood, bringing a sensation of peace. I think, I give up. Which is strange. I don’t know what

days 14 & 15 @ sf

The actor occupies the instant, while the character portrayed hopes or fears in the future and remembers or repents in the past: it is in this sense that the actor “represents.” … This is how the Stoic sage not only comprehends and wills the event, but also represents it, by this,

day 13 @ sf/surface/soapface

When is a pulse a rhythm? And a rhythm a pulse? Where is the stage a square, a yard, a stockyard, a human stockyard and the stockyard a painting? Paul called me up on the metophoricity of these concrete generalities, where everything consorts and difference cannot obtain. The point is

2 day 13 @ sf

so there’s this pulse, right? and you might say it’s a vivifying pulse and you can’t hear it but it unites the work. And when I say you can’t hear it, when you give up on waiting to hear it, you do hear it. It comes

day 12 @ sf:

The event is sense itself … Over states of affairs and their depth, their mixtures and their actions and passions, psychoanalysis casts the most intense light in order to reach the point of emergence of that which results, that is, the event of another type, as a surface effect. Therefore, whatever