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which is worse, this snobbery or the inverted snobbery of what Paul Virilio calls a ‘pitiless art’? (“Art can rest on sinister foundations,” says Diaghilev in Chinchilla.)

I said, ‘Marco Polo, the hero of the Christian west. This man travelled freely [because of Genghis Khan, its villain] because of the Mongols. He went from outpost to outpost along roads they made safe, where before he would not have gone ten miles without a knife at his throat,

day 11 – see previous post “towards day 11” – @ sf, The Mother

Day 11 at the Soap Factory had been a long time coming. Sickness and the making of a side project at www.filmaka.com, a 3 minute short, “The End of the World,” had intervened. When it finally came, I’d spent the morning at Children, Youth and Family, otherwise

“art has the most intimate knowledge of disease,” says Serge Diaghilev in Robert David MacDonald’s Chinchilla. But is the artist, Francis Bacon, who expresses, inoculated in the way that the perverse philosopher, Friedrich Nietzsche, who incorporates, is

Returning to a bottomless abyss that he renewed and dug out afresh, that is where Nietzsche perished in his own manner. It would be preferable to say that he “quasi-perished;” for sickness and death are the event itself, subject as such to a double causality: that of bodies, states

a world without good will

Thinking that I should really reaquaint myself with Marx, I picked up at a secondhand book-dealer’s Marx: His Theory and Its Context “Politics as economics: An introductory and critical essay on the political economy of Karl Marx” by Angus Walker. Leafing through the pages in the car outside

back to the skin trip: tattoo as the genetic origin of inscription; skin does its reversible number

Everything happens at the surface in a crystal which develops only on the edges. Undoubtedly, an organism is not developed in the same manner. An organism does not cease to contract in an interior space and to expand in an exterior space – to assimilate and to externalise. But membranes are

max stirner

Max Stirner El único y su propiedad Tercera edición cibernética, enero del 2003 Captura y diseño, Chantal López y Omar Cortés – www.antorcha.net/biblioteca_virtual/filosofia/unico/caratula_unico.html Human or divine, as Stirner said, the predicates are the same whether they belong analytically to the divine being,

towards day 11 @ sf

So. We lose Morgana, the dancer character, to projects dearer to her heart, one presumes. I was too quick in my exclamation, Progress! We will make do, with or without. And what is making do if not a process? We have a room, square but not out of necessity. And