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Arriaga, writer of Iñárritu’s “Trilogy of Death,” the films, Amores perros, 21 Grams & Babel, his immersive novel, The Untameable, some lines from it illustrated with works by David Gremard Romero

With pain, at least it feels as though that part of the body is still alive. Numbness is a near certainty that something in you has died. — Guillermo Arriaga, The Untameable, translated by Frank Wynne & Jessie Mendez Sayer, 2021, p.13 the story of David and Absalom … Faulkner had

five questions to assess whether you are human

…”five questions Laurie Anderson had shared with [Sam Anderson], “a sort of test that she uses to figure out whether a piece that she’s working on is good or not. And she said she thinks about this every single creative project, every single medium, whether it’s a song

Camille Paglia & others in Electric Ghost

I recommend David G. Hughes’s interview with Camille Paglia from an online magazine I will be reading more of … when I’ve finished the Cristi Puiu interview… Electric Ghost is here

thirty-third part, called “subjective powers XXXIII,” of a series of ‘letters’ written to you, the reader, towards a book called, theatre | writing

subjective powers The three subjective powers rely on a surfacing constituting their positivity: only at the surface can they be constituted in their positivity. That is, mobilised. Whether they come from the depths or from the heights, as obedience seems to, on the surface, or at the surface, new passages

thirty-first part, called “the subject XXXI,” of a series of ‘letters’ written to you, the reader, towards a book called, theatre | writing

the subject That a beginning actor brings to the stage something of which she feels she is about to be dispossessed is why the notion of sacrifice, that runs through Blau’s reports, manifestos and theoretical writing on theatre, still holds true. Where a selfish actor remains intact, identifying the

a musical interlude on the harlem river

day 383 – day 444: forget Thought Police & newspeak – it’s time for the NEW MORAL ARMY – in extreme contrast with Janet Malcolm’s double-secret meta – and the arachnocapitalism of the webwork

“the spiders are taking over the interior, and capitalism—that dirty bitch—is still unstoppable and fucking is all up” — on Antoine Volodine and post-exotic literature, here and I don’t know if it is appropriate or not. Whether it is entirely inappropriate … for the missed-aches of Volodine, Bassman, Draeger’