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dept. of corrections verses, i.e.

this is Matthew Barney. Notice how Matthew has two Ts. Notice how Barney is spelt as in Rubble. As in purple dinosaur costume. I love you. Give the man a bone. Yabba dabba. A mistake dogs my entries on RJF @ sf: Barnie spells his name thus, Barnie. Going forward.

this is Matthew Barney. Notice how Matthew has two Ts. Notice how Barney is spelt as in Rubble. As in purple dinosaur costume. I love you. Give the man a bone. Yabba dabba. A mistake dogs my entries on RJF @ sf: Barnie spells his name thus, Barnie. Going forward.

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John Collier crosses my path

John Collier crosses my path

* writing on Cabaret I find its antecedent stage-play, written by John Van Druten, award winner, 1952/53, where it adapted and dramatised Christopher Isherwood's Goodbye to Berlin, in turn adapted into a film bearing the same title as the play, I Am a Camera, screenplay by John Collier

بوليفارد وورلد

بوليفارد وورلد

may sound more like "boolyfaood wooorild" but is a transliteration of Boulevard World. . . I was tempted to go into the pyramids and either shoot things if not quite understanding what. Then, isn't that always the way? . . . also of note, a demonic personage and a huge banana!

in the library, in the hood, in the mall, in the park

in the library, in the hood, in the mall, in the park

disembarking the blue line at the station designated and dedicated to the National Library I circumnavigated the building looking for an opening, a revolving door, a be-thobed figure approached, and, on the strength of Jo's experience of being asked for academic credentials to become a library member, I