poetry of physics as of painting, diagramme notwithstanding; the reversability of time or as of the three paradoxes as in Deleuze and the redundancy of the possible being: everything is alive

James Gleick calls the flight from Europe to the United States in the mid-1930s, ‘the greatest intellectual migration in history.’ The aptness of his description struck me and I wanted to record it here. [James Gleick, Genius: Richard Feynman and Modern Physics, Abacus, London, 2006, p. 167] – Ad Reinhardt, from
Simon Taylor