The Terror Egg, Dignity before Life, Exile & N-exile: Manea’s Iron Defence of Irony, & how to gain entry to the past, an Anti-Pedagogy: the lessons of pride and solitude
to denounce the Big Lie that encased our lives like the thin shell of an egg … As you touched it, the membrane burst, and you suddenly found yourself alone and helpless, at the mercy of a whip wielded by authority. … The Big Lie, like a new placenta, prevented us from
excerpts from “Bush’s cultural legacy” – The Guardian, Friday October 31 2008. … What’s Helen’s?
Joyce Carol Oates:
If Obama wins, very likely there would be an efflorescence of a kind, perhaps most evident in the more public artforms – dance, music, theatre.
Gore Vidal:
Oliver Stone, I gather, is doing father-and-son stories. I’m very fond of Oliver, but you don’t need Freud when
seriously, EVERYONE SHUT UP! and let’s talk seriously about art, the gentle art of placation :«Всем молчать!»
– Field (Поле), gold leaf, black printers ink, handprint on canvas, Alexei Belyaev (Guintovt)
An Open Letter on the 2008 Kandinsky Prize
We admit it upfront: we don’t care much for the artist Alexei Belyaev (Guintovt), and we don’t care about him. His art is beyond the pale of
theatre of communitage: “in any place, but not in a special place” – Augusto Boal
– Augusto Boal
Excerpts from Tom Magill’s interview with Augusto Boal [full text here]:
Communitage:
The word community, communitage in Portuguese, we use to define sometimes a region of the city, e.g., a slum. In this state there is a communitage within that slum. Sometimes we can talk about
representing the metaverse, stage by stage
– Micha’s dragon’s skeleton
Micha Cárdenas’s Becoming Dragon questions the one year requirement of Real Life Experience that transgender people must fulfill in order to receive Gender Confirmation Surgery (Sexual Reassignment Surgery), and asks if this could be replaced by one year of Second Life Experience to lead
the problematic structure of recollection / … acting & asujetti
Recollection is defined both in relation to the perception with which it is contemporaneous and the following moment in which it prolongs itself. Reuniting the two senses produces a bizarre impression: that of acting and being ‘acted’ upon at the same time. – Gilles Deleuze, quoted in Difference and