Everything happens at the surface in a crystal which develops only on the edges. Undoubtedly, an organism is not developed in the same manner. An organism does not cease to contract in an interior space and to expand in an exterior space – to assimilate and to externalise. But membranes are

Max Stirner El único y su propiedad Tercera edición cibernética, enero del 2003 Captura y diseño, Chantal López y Omar Cortés – www.antorcha.net/biblioteca_virtual/filosofia/unico/caratula_unico.html Human or divine, as Stirner said, the predicates are the same whether they belong analytically to the divine being,

So. We lose Morgana, the dancer character, to projects dearer to her heart, one presumes. I was too quick in my exclamation, Progress! We will make do, with or without. And what is making do if not a process? We have a room, square but not out of necessity. And

Joseph Plateau’s experiments with the persistence of vision – despite the fact that he blinded himself by staring at the sun for periods of up to 25 seconds – led to his “Phenakisticope” (from the Greek for “deceitful view”), the first cinematic device. In the “Monde Littéraire,” 17 April 1853, Charles

– Niels Bohr and Albert Einstein, chez Paul Ehrenfest, December, 1925 (Paul Ehrenfest, a theoretical physicist at the University of Leiden (!), suffering from depression, ended his life on September 25, 1933, shooting himself and Wassik, his and Tatyana Alexeyevna Afanasyeva’s Down syndrome son, in a rowboat, on a lake, in

The frame is artificial and that’s precisely why it’s there; to reinforce the artificial nature of the painting. The more the artificiality of the painting is apparent, the better, and the more chance the painting has of working or of showing something. That might seem paradoxical, but it