Japanese breakfast, followed by walk to Reihan line; to Chushojima; to disembark and board further Reihan line—a privately owned line—destination Demachiyanaga; whereto board Eisen (yes) line to Kibune or Kurama; to walk either from Kibune—whereat the Hiribun water noodles, grabbed in chopsticks from a water-race—to

The typhoon passed. Through the night, like the Buddhist monks at the head of Robert Matta-Clark’s bed, at the moment he passed away, shouting into his ears, because hearing, of all the senses, is the last to leave us, ROBERT! ROBERT! YOU’RE DEAD! YOU’RE DEAD, ROBERT!

Overlooking the Ujigawa, the river in Uji, split by an artificial island, and fed from the nearby dam, with rapids below the island and above, we are finally in our room, and not only that but fresh out of the hotpools, the public baths as they have to be called—

Figure 8.6 Sondra Perry, It’s in the Game (2017), screenshot of video demo from Megan Philipa Driscoll’s Art on the Internet and the Digital Public Sphere, 1994 – 2003 © Copyright by Megan Philipa Driscoll 2018 (shared on Nettime by Cornelia Sollfrank 25.06.2018) abstract This dissertation narrates

Positivity, affirmation: they are related but not the same. To confront one with the other is not to vanquish it; they take different objects and produce different subjects. Positivity and negativity: you can affirm either; you can affirm both. You can affirm in positivity the need for negativity. Positivity is

XXXI.getoveryourself or you should know when to stop are not the same pieces of advice but you are not listening to me you are looking at the image of an idiot on the screenan idiot boy Bolaño says—right in my ear—the image of an idiot boy—and