journal

– graffito, Condom Alley, Auckland, 9/3/9

Gerald Rabkin’s 1985 essay, “Is there a Text on This Stage? Theatre, authorship, interpretation,” opens with an epigraph from Beckett: [in Re:direction, op. cit., pp. 319-331] The best possible play is one in which there are no actors, only text. I’m trying to find a way to

– Tina Frantzen, 2009

Premiering in 1992 in Minneapolis and thereafter, until 1994, presented in Madrid, London and Washington Two Undiscovered Amerindians Visit the West, a performance by Coco Fusco and Guillermo Gómez-Peña, is theatre gaining from representation something which is not available to mere art. Coco Fusco reflects on the piece’s failure

Présentation de l’éditeur Il y a vingt ans, mon premier Manifeste pour la philosophie s’élevait contre l’annonce, partout répandue, de la ” fin ” de la philosophie. A cette problématique de la fin, je proposais de substituer le mot d’ordre : ” un pas de plus “. La situation a bien

I noticed that someone made a search for critics of Augusto Boal here, as if, it occurred to me, he doesn’t or wouldn’t have any. Of course he has had critics and written about them. He tells this story in “Invisible Theatre.” [Originally published 1990, trans. Susana Epstein,