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before translation, by Eruera Pare Hongi, the English draft, written by James Busby, follows: Declaration of the Independence of New Zealand 1. We, the hereditary chiefs and heads of the tribes of the Northern parts of New Zealand, being assembled at Waitangi, in the Bay of Islands, on this 28th

the following is a transcript of Alejandro Iglesias Rossi’s “The Path with Heart” broadcast on Radio New Zealand: The path with heart If you are you because I am me and I am me because you are you then neither you are you nor I am me but if

Travesties, Downstage, 1977 East Lynne (double bill with Music Hall, Palace of Varieties), Downstage, 1977 Bingo, Downstage, 1978 The Merchant of Venice, Downstage, 1978 Heroes and Butterflies, Downstage, 1978 Candide, Downstage, 1978 Summit Conference, Downstage, 1979 Prisoners of Mother England, Downstage, 1979 Deathtrap, Downstage, 1979 Big and Little, Downstage, 1981

I had avoided looking but my friend Herb is dead. …not a bad write-up, here in the New York Times, but hardly covering his academic career and many polemical interventions – the contribution to critique and scholarship of: The Impossible Theater: A Manifesto. New York: Macmillan, 1964; rpt. Collier, 1965. Blooded

Marisa C. Hayes on Butoh Workshops at the Kazuo Ohno Dance Studio Walking Towards Authenticity: Butoh Workshops at the Kazuo Ohno Dance Studio Emotion must be ever present, full blooded emotion. This finger here can provoke an emotional response. - Kazuo Ohno Throughout the 1960s Kazuo Ohno, alongside Tatsumi Hijikata,