outside light (Page 238)

outside light

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Yeeuurrgghuuukkkmmmaunnnnngghhherereeuurghhhhh

Yeeuurrgghuuukkkmmmaunnnnngghhherereeuurghhhhh

“We lived through the horrors of war, survived postwar austerity, and for what?” asked Kusakabe. “The richer the world becomes, the more laws and regulations are imposed on us and the more discrimination grows. And now, we are not free at all. Why is that?” All our comrades had fallen,

Prof. Wendy Brown’s Desiring Walls [from Resist Network] : Marxism, critical theory, Foucault, psychoanalysis, Arendt, welded into a surprising pattern …

aesthesis in supersump

– still from Fantastic Planet, dir. René Laloux, 1974 … there will be privately constructed borders created by everyone everywhere, enforced by pocket nukes capable of eliminating entire cities or regions. Arbitrary moral systems will back up private aesthetic borders, making it imperative for everyone to receive the correct medication. Unmedicated people

the edge in the middle – encaustic residues

– Nash Hyon, Element #64 (Gadolinium), here

diverge to infinity

After supper I took up my physics again, but at last I gave up. Ill-starred work indeed! … Recently I have felt very sad without any reason, so I went to a film. … Returning home I read a book on physics. I don’t understand it very well. … Why isn’

Golden Pool, 28 from the Lives of the Saints series

Oedipus returns “to hide in death a while;” or, recurrent displacement: The Character of a Dark Precursor for a Theatre of Philosophy

Near the beginning of “Theatrum Philosophicum,” Michel Foucault’s essay reviewing Gilles Deleuze’s Difference and Repetition and The Logic of Sense (this is where and when—the esssay appeared in 1970—Foucault famously remarked that one day the century will be known as Deleuzian), there is a committal: Plato