the work on Semele was preparatory for a project submitted to and denied by CNZ for funding in 2009. It was called Love Project and comprised 4 interwoven stage-works at 4 different venues and in different styles. Go to the LP9 at the bottom of this post if you would

it was cast, rehearsal rooms were booked, a read-through took place. The rain of ash was devised, the reference for the costumes was the cover of Tindersticks's second album and Margiela. It was to be performed at City Art Rooms, Auckland. The misunderstanding arose because "artists fund

a letter sent to Helen Clark 2000, to Jacinda Ardern 2017 the following letter (sent in 2017 with the additions in square brackets) received no response from either Prime Minister and none from any of the recipients, including Judith Tizard, Marion Hobbs, Bill Ralston, Jane Kelsey, Brian Easton, Luit Beiringa

towards a politics of change Prime Minister Ardern resigned. Although it deals with what has been said about her time in office and her exit from it, the article that follows is neither valedictory nor a critique. I wanted to deal with what has not been said. I think her

some thoughts on “Digital Maoism” (2007) A voice should be sensed as a whole. You have to have a chance to sense personality in order for language to have its full meaning. Personal Web pages do that, as do journals and books. Even Britannica has an editorial voice, which some

ACT 1 Running the scenarios. At the SALTON home, in BARBARA and MARIA's sitting room. (BARBARA SALTON stands at a high table reading a book. She wears a black dress down to her ankles. There's a revolver on the table.) (MARIA SALTON enters.) MARIA I don&