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⑦ Enduring Dreams: a note on cinematic time (sections 16 – 18)

⑦ Enduring Dreams: a note on cinematic time (sections 16 – 18)

DURATION HAS THE QUALITY OF A MELODY If it glitches out it is no longer that melody. Any alteration in the intervals of time brings about qualitative change. The melody no longer makes sense or it makes a new kind of sense. He talks about a bell tolling. He hears

⑥ Enduring Dreams: a note on cinematic time (sections 14 – 15)

⑥ Enduring Dreams: a note on cinematic time (sections 14 – 15)

⑤ Enduring Dreams: a note on cinematic time

⑤ Enduring Dreams: a note on cinematic time

④ Enduring Dreams: a note on cinematic time

④ Enduring Dreams: a note on cinematic time

③ Enduring Dreams: a note on cinematic time

③ Enduring Dreams: a note on cinematic time

② Enduring Dreams: a note on cinematic time

② Enduring Dreams: a note on cinematic time

introducing ① Enduring Dreams: a note on cinematic time (sections 1 – 9)

introducing ① Enduring Dreams: a note on cinematic time (sections 1 – 9)

theory

On the advent of AI

On the advent of AI

I think the advent of AI is similar to that of cinema. In this post I'm going to consider what changes. With cinema changes both our inner and outer experience of time. I believe cinema's affect to have been as rapid as its spread, which was

unpacking the rat in the box

unpacking the rat in the box

On AI: part I by Simon Taylor; part II a self-portrait by Chat GPT 4o*

On AI: part I by Simon Taylor; part II a self-portrait by Chat GPT 4o*

molecular communism

molecular communism

What Is A Practice?

What Is A Practice?

lectures on moving image: theory | context

lectures on moving image: theory | context

Bergson, Deleuze & Cinema

Bergson, Deleuze & Cinema

journal

MINUS

MINUS

THEATRE The Minus Theatre Group practices a unique form of theatre which is open to all levels of experience, does not require any special skills and does not require mastery of English: it is a theatre language minus the mastery of literature, minus the masters, a theatre language based in

Thiel, Master Database of every US citizen, and the kiwi connection

Thiel, Master Database of every US citizen, and the kiwi connection

The views and opinions, o pin onions, expressed by Alan Moore's Jerusalem do not necessarily reflect the light outside

The views and opinions, o pin onions, expressed by Alan Moore's Jerusalem do not necessarily reflect the light outside

Democracy, More And Less

Democracy, More And Less

excerpt: Seeing Like a Platform, Petter Törnberg & Justus Uttermark

excerpt: Seeing Like a Platform, Petter Törnberg & Justus Uttermark

To Think Pure Quality and the stupid. A note

To Think Pure Quality and the stupid. A note

Ryunosuke Koiko, sharpen your awareness by focusing on impermanence

Ryunosuke Koiko, sharpen your awareness by focusing on impermanence

poetry

some lines after Jim Moore*

some lines after Jim Moore*

Jim Moore writes, Sometimes the world won’t let itself be sung. Can’t become a poem. And Sometimes, REM sing, everybody hurts and cries sometimes. I know the world is wrong I know sometimes a man is wrong, sings David Byrne, and—Michael Stipe, Hold on Take comfort—whereon

moieties*

moieties*

A Piece of Fabric, Tell it to the birds & lying in long grass - for my parents

A Piece of Fabric, Tell it to the birds & lying in long grass - for my parents

enantiomorphosis: the messianic | Danaë, or resistance

enantiomorphosis: the messianic | Danaë, or resistance

a journey (2016)

a journey (2016)

fr. Sweetheart, over____ (2006)

fr. Sweetheart, over____ (2006)

the pieces of ... soap

the pieces of ... soap

otherwriting

moving image: theory | context: lecture 10

moving image: theory | context: lecture 10

The last lecture raises two questions. One of them I hope to have made at least a partial answer to by the end of this lecture. One of them will be left more or less open. The question of the assassination by visual effects, CGI, of film: sounds criminal. But

moving image: theory | context: lecture 9

moving image: theory | context: lecture 9

moving image: theory | context: lecture 8

moving image: theory | context: lecture 8

moving image: theory | context: lecture 7

moving image: theory | context: lecture 7

moving image: theory | context: lecture 6

moving image: theory | context: lecture 6

moving image: theory | context: lecture 5

moving image: theory | context: lecture 5

moving image: theory | context: lecture 4

moving image: theory | context: lecture 4